Please post your FULLY PRODUCED 5 - 10 MIN SOUND/AUDIO STORY in the Comments section of the relevant post on our class FB page, Billy the Lich & his Bucket List, by class time on WEDS. MARCH 26:
Again, for the purposes of this class, a "Sound or Audio Story" is a short story (with 1st, 2nd, or 3rd person narration) "dynamized" with sound effects and music. It can have a couple lines of dialogue, but should be mostly, if not entirely, narration. Before it's recorded, it will look like a short story, that is to say, a prose story (whereas the second project, the dialogue driven "Ear Movie," will look like a dramatic script). Think audio book.
The sound effects illustrate the narrative (versus the "ear movie," in which the sound effects propel the narrative). You can't use a DIEGETIC sound effect unless it is declared by the text of the story (naturally, NON DIEGETIC music does NOT need to be articulated by the text). The story need not be "complete" (many podcasts are serialized); indeed, it can be Part 1 of a larger story. Can you get under the listener's skin? What can you do to guarantee your listener will tune in again? Consider an unresolved or ambiguous ending. A cliffhanger.
Your piece should contain MOST of the following: opening/closing music, 1 bridge, 1 sting/stab, 1 bed, (at least) 3 isolated sounds, 1 animal sound, 1 weather sound, 1 sound from an inanimate object (like a phone or a grandfather clock), nondiegetic music under the narration (in addition to opening/closing music), one real world sound recorded yourself, one real world sound recorded yourself but standing in for something fantastical, and one fade in/out. Your piece should feature only ONE actor.